shure

Shure SM58 lc - £79

Designed over thirty years ago, it's old technology, out of date and doesn't even sound all that good!! But it's still the most popular choice for vocalists around the world. Maybe it's because you can kick it from pillar to post and it will still work?

Whatever the reason, the SM58 still outsells everything else in its class. We always have them in stock - normal price £79.00 check for occasional special deals.

SM57 lc (instrument mic - £75)

Shure Beta series vocal mics

The Beta series is the new touring standard microphone. you'll see them on every pro-stage in the world.

They have a better response and lower handling noise than the original LC mics. If you take your vocals seriously, you should be performing using one of these microphones. The brief descriptions below are copied directly from the Shure website

Beta 58A This vocal mic accentuates the warmth and clarity of lead and backup vocals. Extremely smooth extended frequency response. Its supercardioid design provides maximum isolation from other onstage sounds.

Beta 87A Leading the field for studio-quality sound in live performance, the Beta 87A has a smooth, tailored response for warm, accurate sound. Its supercardioid design provides maximum isolation from nearby vocalists or instruments.

Beta 87C This vocal mic has an extremely smooth, tailored response for a warm, natural sound. Its cardioid design blocks sound from the rear of the microphone, making it ideal for use with In-Ear monitors.

Beta 54 Beta quality, sensitivity and consistency in a nearly invisible, ultra-thin design. Built for demanding performance applications. Corrosion resistant and easy-to-clean parts included.

Beta 53 The Beta 53 is a fully adjustable omnidirectional condenser microphone, designed for applications where inconspicuous appearance and incredible sound quality are required

Shure Beta series drum microphones

So, your drummer has just spent £3K on his new DW kit, you have a £5K PA system, the band invested £199 in mics for the drums, and you're wondering why they still sound sh*te? ....It's because you haven't used some proper microphones!! Buy some real ones.

Beta 52 Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Beta 56 A compact drum mic engineered for close miking of snare and toms. The supercardioid design provides maximum isolation from other onstage sounds.

Beta 91 A low-profile mic that requires no external mounting hardware. Lies flat on a pillow or other surface inside a kick drum for superb attack and low-end punch.

Beta 98 D/S Designed for rack/floor toms and conga applications, the Beta 98 is perfect for sound reinforcement and recording. Flexible gooseneck lets you position mic in practically any configuration

Shure beta series instrument mics

Guitar cabinets, brass or wind instruments? It's all covered in the Beta series.

Beta 57A An excellent mic designed for use with amplified or acoustic instruments. The compact grille design gets the mic cartridge close to the sound source.

Beta 98S A tiny mic that provides a versatile solution for high-volume instrument applications. Its supercardioid design provides maximum isolation from other onstage sounds.

Beta 98H/C A versatile, flexible solution for brass or percussion instruments. Flexible integrated gooseneck with clip-on clamp for secure fit and precise positioning. No external mounting hardware required.